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Yeah, i’m disappointed with the ending still. (kuroko no basuke does that too, i really do feed off that kind of story lol) i think KHR had a great premise, and i really thought it had strong moments like tsuna’s fight with xanxus, giotto appearing from the rings and i really loved the entire enma/shimon famiglia arc.
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Well my point is that, KHR did have really great moments in the beginning and awesome fight scenes so let’s try to judge it as a whole? i especially love series that have some sort of background which they hint at over the course of its run. and from there on i didn’t really have a break until recently when i decided to lighten the load of what i’m watching this season.
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man, it got me back into anime in full swing. but i still missed it and wanted to pick up a few long running series and KHR was the one i picked. Wow so many KHR haters! a couple years ago i went on an anime hiatus and didn’t watch anything for awhile. Note: Extremely sorry for the delay on this post – I was sick and had to do some shuffling around, which made this post fall to the back burner unfortunately. In this aspect Katekyo Hitman Reborn! is excellent, proving it was more of a gift to fans rather than a ploy to make money.
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The characters are unbound by a specific outcome and their potential from here on is unprecedented, their stories free to be written however one wishes. The story has come to an end, but only thematically. There are a myriad of possible paths the story can take from this point on, and the readers are free to choose any one of them – it’s the greatest freedom an author can offer their audience. I’m not sure if it’s just an inherent weakness or just a matter of polishing her skills, but the proper execution of some of its plot points really kept KHR! from reaching its full potential.Īlthough I would have preferred to see more of Tsuna as the Vongola Decimo at the end, perhaps it’s best that these blanks are left to be filled in by the readers. the endings of every arc), building the events of an arc to great heights only to deliver lackluster conclusions/explanations. But for some reason she seemed to almost chicken out at the most crucial of moments (e.g. Unfortunately though, the execution of the plot is the series’ biggest pitfall, and it’s somewhat saddening since the basis for some of the events and the ideas behind the arcs are solid and even grand – the potential was certainly there, and there were moments in Katekyo Hitman Reborn! where it was evident Amano was capable of something greater. Amano provides ample ingredients to do this, which is probably why I found the series so enjoyable. It all depends on how much the readers are willing to read into their characters, interpret their actions, and extrapolate the possible trajectories their personas can take based on their personality. This lends an interesting duality to Amano’s writing though – many characters such as Dino, Yamamoto, Hibari, Squalo, and Gokudera even, can come across entirely flat and one-dimensional when in actuality all of them have very subtle nuances to their characters.
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Amano, intentionally or not, knew how to distribute the spotlight properly so that bland characters stayed out of the center stage just enough for their weaknesses to remain hidden, while dynamic characters were allowed to breathe. There were a select few that I personally couldn’t be bothered to care for, but none of them became so offensive that I questioned the necessity of their existence. This was undoubtedly the series’ greatest strength, and looking at her work over the course of the series’ run, it would seem she excels at creating memorable characters and giving them life. I’ll always remember it for the zany characters – the cast was large, but they somehow managed to stay differentiable and shone in the spotlight when given the chance. It was a whimsical decision to start reading KHR!, and despite its flaws, it has been an endearing and enjoyable series. It’s always a troublesome challenge thinking of a suitable ending for long-running shounen series, and for Katekyo Hitman Reborn!, at least it ended not quite the ideal finale I imagined, but the series has its closure, which is more than I can say for many of its counterparts (e.g. While the second last chapter was possesses the standard characteristics of a rushed and abrupt ending, the closing chapter does wrap things up thematically, and the shots of the various cast members reinforce Tsuna’s journey quite nicely (not to mention they’re nice to look at!). Reading the last two chapters of Katekyo Hitman Reborn! together, “ambivalent” is probably the best way to describe my feelings after the experience.
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